Participants

Ismaël El Habbash (Palestine)  author  edition 2006
I liked the program and found it to be extremely useful

Juna Suleiman (Israel)  author  edition 2006
I enjoyed and benefited from every moment and only have good things to say.

Sibel Voskay (Turquie)  author  edition 2006
The immense work of MFD team was worthwhile for me; to take a project from
the    beginning and make it ready for buyers

Defne Arsel (Turquie)  producer  edition 2006
As the co-writer and producer of "Elif", one thing I especially found useful in MFD was      the emphasis on the collaboration between producers and scriptwriters during the  development stage.

Selda Salman (Turquie)  producer edition 2006
MFD is a satisfactory programme with leading organizations’ dedication
who know and consider the realities of the region and approach trainees accordingly,
and  I am very happy to be a part of it.

Bahriye Kabadayi (Turquie) author  edition 2006
The online monitoring is a good idea to further strengthen the contact between tandems and
tutors

Michel Ghosn (Liban) producer   edition 2006
The experience with MFD was overly beneficial to our project at all levels.
This interaction is  mostly usefull

Pierre Sarraf (Liban) producer edition 2006
Of course, the project has evolved through  3 sessions and meetings  with Professionals

Nadim Tabet (Liban) author  edition 2006
Throughout the three sessions we have received a series of speakers (screenwriters, producers, distributors, technicians…), which allowed us to improve our reflect the market reality and film production.

Mohieddine Temimi (Tunisie) producer  edition 2006
It seems to me that the success of writing the screenplay is the most important,
while giving also a great interest to the other parameters  of the     Production.
(distribution - finance – theme - audience…)

Semy El Haj (Tunisie) author  edition 2006
I learned a lot, I was able to purify the line narrative of the film and I especially have my break in the  author’s   solitude as I have clearly expressed at the round table in the last
meeting in Marrakech.

Professionals invites

Michel Relhac (ARTE FRANCE CINEMA)   edition  2006
I felt in a short time thanks to MFD to catch a glimpse of concrete
several projects of interest ARTE. It is very important for me to know what is being prepared in those countries of the Mediterranean basin. A format such as MFD is very valuable in this regard.

Loïc Magneron (WIDE MANAGMENT, FRANCE) edition 2006
MFD is an indispensable tool in the context of a concrete training accelerated.
In addition, MFD puts forward and really helps cultural diversity

Philippe Tasca (RENDEZ-VOUS PICTURES INLT., FRANCE)  edition  2006
Producers as directors were clearly moved by a beautiful energy in a climate which seemed
not competitive but harmonious consistent with a universal message which tends to the
resolution or to the understanding of inner conflicts, cultural and ethnic backgrounds using
the medium of film .

Aurélien Bodineaux  (NEON ROUGE PRODUCTION, BELGIQUE) edition 2006
I am delighted about  these meetings and I was very pleasantly surprised with the quality
of records and participants I met

Ahmed Bahaeddine ATTIA (CINETELEFILMS, TUNISIE)  edition 2006
You gave me the opportunity to cross the imagination and know-how to other producers in the Middle East, and this was an occasion for me to deal with issues that I  knew  probably  but they were not for Me real emergencies. Whether they were human tragedies experienced by people living in fear and distrust every day, I was immersed in a world that I knew evil.